X-MAS 2010 Celebration of Jane Darling

Jane Darling was exiceted to do something crazy this X-Mas and hence thought it would be nice to get a hot hard cock. So, she went on the road and stopped the first car she saw and got engaged with the X-Mas celebration. 

 

I hope you really enjoyed with Jane Darling.

MILF FREE PREVIEWS

Here I am uploading some very hot scenes collected from many different websites. I hope you can enjoy them too. Most of the movies I am trying to find out from which these scenes are taken. If you know please comment.

An Eternal Love (2010)

Studio: New Sensations

Adult Genre: Straight > General

Cinema Genre: Action & Adventure > Romance

Category: Feature Film

Duration: 1 h 34 min

Produced in 2009 and released in (2010)

Description:

The depth of their love runs so deep that it continues to penetrate her soul long after he is gone. Emily's husband Brian passed away two years ago, but she has not been able to move on with her life. She is still haunted by his ghost - she sees him watching her, she hears him calling her, and she feels him inside of her. 

Emily is tormented by An Eternal Love. But when a surprise visit is made by handsome British Musician, Tom, and Emily's friends, Sasha and Bobby, passion is sparked and Emily's life heats up. Will Brian's ghost reappear and hinder Emily's chance with a new flame? New Sensations: Romance presents An Eternal Love, a story of romance and lust at its most spirited.

Screens:

Trailer:

Review:

An Eternal Love marks the first in New Sensations’ new Romance line, and we hope the inaugural release is a sign of things to come. Designed specifically with women in mind, the plot and action are the perfect blend between soft and hardcore, and features beautiful talent both female and male. Tori Black as Emily, the woman mourning her dead husband Brian (Rocco Reed), sees her lover everywhere, especially in her dreams when he comes to touch her, caress her and make love to her. Emily is unable to move on from these haunting dreams, however, until her best friends Sasha (Lexi Belle), Bobby (Johnny Castle) and Mimi (Jasmine Delaton) surprise her with a visit and guest: Tommy (Danny Mountain), who has also lost a true love. The script is solid, and the camerawork and lighting are softer, which definitely appeals to women. But the success of the movie is in the sex scenes, which are almost tender at times and are more about lust, passion, and desire than they are about straight fucking. Don’t misunderstand: The sex scenes are incredibly hot, particularly the pairing of Black and Mountain for the finale. In addition to her stellar sexual performance, which helped her win the 2010 Female Performer of the Year title at the 27th annual AVN Awards, Black’s acting in An Eternal Love deserves recognition as well. She is believable as a woman tormented by what she's lost and unsure about how to move on. Happily, Black is really beginning to blossom as a real star, and this movie truly showcases that talent.

Slaughter Disc (2005)

Directed by David Quitmeyer

Produced by David Quitmeyer

Written by David Quitmeyer

Starring Caroline Pierce

Robert Williams

Jewels Mackenzie

Travis Lee

Albin Kinsey

Music by Peter J. Gorritz

Distributed by Steel Web Studios

Release date(s) March 19, 2005 (USA wide)

Running time 90 min.

Language English

Cast:

Caroline Pierce ... Andromeda Strange

Robert Williams ... Mike

Jewels MacKenzie ... Carrie

Albin Kinsey ... Naked Man

Kristen Quitmeyer... Neighbor

Gabe Messer ... Clerk #1

Ashley Rees ... Clerk #2

Chris Spoto ... Delivery Guy

David Quitmeyer ... Mr. Langley/Customer

Pete Arnold ... Police Officer

Kreg Kearley ... Detective #1 (as Craig Curlee)

Roger Gobin ... Detective #2

Description:

The film focuses on Mike, a 20-something guy who is addicted to porn. As his addiction causes him to lose both his girlfriend and his job, he encounters a mysterious DVD featuring Andromeda Strange. Mike is drawn deeper and deeper into her dark and gory performances, until he finally sees her in a scene having sex with and then brutally murdering his friend. By the film's end, we learn Mike himself had died long ago while watching the movie, and his soul joins the others enslaved by Andromeda Strange.

Screens:

 

Trailer:

Behind The Green Door (1972)

 

Description:

Two men enter a fast food place. The owner asks them about a mysterious matter. After some considerations, one of the two guys accepts to tell the story. Here starts a long flashback: the two men are in a terrace, next to a lake, and one is telling the other a story. A woman sits at a table nearby. Later the same woman is kidnapped. When the blindfold is removed, a woman welcomes her. After a relaxing massage, she is accompanied by 6 women, into a stage, in front of masked men, and women of all kinds. A speaker explains that the woman will be pleased, by all means. The 6 women first, and later some men make love to her, while the audience progressively move into a orgy. This is the end of the flashback. The owner of the fast food place asks what happened after that time, but the men refuse to tell...

Cast:

Marilyn Chambers ... Gloria

George S. McDonald ... Barry Clark

Johnnie Keyes ... African Stud

Lisa Grant ... Matron

Yank Levine ... Dudley

Toni Attell ... Mime (as Toad Attell)

Ben Davidson ... Doorman

Adrienne Mitchell ... Waitress

Dana Fuller ... Cook

Dale Meador ... Hotel Clerk (as Dale Meade)

Jim Mitchell ... First Kidnapper (as James Mitchell)

Artie Mitchell ... Second Kidnapper (as Art Mitchell)

Mike Bradford ... Parking Lot Attendant

Tony Royale ... Guard

Bunny Brody ... Female Attendant

Barbara Bryan ... Female Attendant

Bernice Mayo ... Female Attendant

Kandi Johnson ... Female Attendant

Rabin Dranthra ... Female Attendant

Barbara Parker ... Female Attendant

Screens:

Review:

I say outstanding film, not outstanding porn film, to describe this film that is not only good for its genre, but great as a film, period. Marilyn Chambers plays Gloria, a young woman who refrains from speaking for the entire duration of the film, but is a complex character through Chambers' brilliant use of facial expressions and body language to express character. The plot deals with Gloria being "kidnapped" from the hotel she's staying at and taken to a seedy sex club, where she is "relished" and is then forced to perform sex acts, where she is "loved as never before". This is by far the most artistic porn film I've ever seen, with an almost ten-minute slow motion "cum" shot that uses different angles and backgrounds to make a quite "trippy" viewing experience. Pro football player Ben Davidson has an amusing non-sex cameo as an intimidating bouncer. Best musical score, cinematography, writing, and acting ever seen in a porn film.

The Deviant (2009)

 

Running Time:115 minutes

Released:12/2009

Studio:Mile High Media  Sweet Sinner 

Director:Nica Noelle 

Categories:Anal   Big Dick   Feature   International  

Stars:Elexis Monroe  Kylie Ireland  Mr. Pete  Manuel Ferrara  Dana DeArmond  

Description:

Sweet Sinner introduces adult superstar Manuel Ferrara in this riveting tale of deception, greed, and insatiable lust. Manuel suspects wife Kylie Ireland of secretly planning to divorce him, and he enlists good friend Mr. Pete to help him uncover the truth. But are Pete and Kylie unknowingly caught in an even bigger web of deception? And how will Manuel lure Pete's wife into his sick, twisted game? A psycho-sexual tale of suspense that will leave you breathless until the final explosive scene.

Screens:

Review:

When big time celebrities want a piece of you, you know you have arrived. Remember when Meadowlark Lemon showed up on "Diff’rent Strokes?" How about when Tina Turner made her presence felt in the third installment of the Mad Max films? Of course you don’t. Those are very old examples. More recently, however, there were several seasons of the television series "The Simpsons" when a guest appearance meant your Hollywood career was in full bloom. The point is that a successful television or film franchise is like a magnet for stars who, in turn, can propel the show or film to even greater heights just by showing up. It’s a nice bit of symbiosis.

What does all of this have to do with porn? Well, over the past year plus, director Nica Noelle’s star has become very, very bright. Her style, one devoid of loops, cuts and feigned sexual couplings, has gained quite a head of steam with fans of the genre, even earning her one-degree-of-separation AEBN VOD awards this year for best feature ("My Daughter's Boyfriend") and best studio (Sweetheart Video). Her films are real and raw and, because she adds decent storylines to her work, she has upped the ante for those looking for some substance with their debauchery.

While Nica’s talent pool has always been very reliable, delivering steamy performances time in and time out, none of the actors have truly reached household-name status. That’s not a bad thing. In fact, staying away from uber-mega-superstars can be quite refreshing. Not everybody likes to see the Bree Olsons and Jenna Hazes of the world every time one goes looking for porn. Sometimes it’s nice just to get lost in the fantasy without a particular personality overshadowing it all. That said, when you sprinkle in some very well known stars among some of the lesser ones, it not only adds credibility to the work, but it usually raises everyone’s performances up a notch or two.

Nica’s recent string of successful films has helped her to pull in some big time talent like Dana DeArmond and Lexi Belle to name a couple. With the release of "The Deviant" on her Sweet Sinner imprint, Nica has pulled a major coup, landing without a doubt her biggest score to date, the one and only Manuel Ferrara. Manuel is a porn star’s porn star, and a very desirable one at that. He is handsome, very caring and thoughtful on set, making sure that his co-stars are always well taken care of sexually. He is the perfect complement to Nica’s films, which tend to come at viewers from a female’s sexual perspective. What that means is that while her films contain the standard male cumshots, they are generally followed up with an orgasmic reciprocate on the part of the woman.

Manuel is excellent in this one. He is devious and conniving and he delivers exactly what you would expect from him fuck-wise, albeit toned down some for the audience to whom he is playing. In the process, though, he incrementally raises the overt sexual appeal of his co-stars, Elexis Monroe and Kylie Ireland, just by his presence. His scene with Dana is off the charts.

As the box cover says, Manuel suspects his wife is going to leave him and he enlists his friend Mr. Pete to find out what’s up. Pete’s investigative business has dried up due to a bad economy and he has been working long hours to get extra cash. Though burning the candle at both ends has hurt the relationship with his own wife, he is more than happy to help his pal. Manuel returns the favor, offering to lend Pete the twenty grand Pete needs to stay afloat financially. All Pete has to do is seduce Manuel’s wife. Pete admits that his work and relationship issues have led him to stray from his wife Elexis. While he’s not proud of it, it is all he can do to make ends meet.

Everything in the film is precipitated by a night out between Manuel and his wife Kylie. She makes an ass of herself in public to Manuel’s dismay. In light of his suspicions about her they get in a fight, but attempt to resolve it with a good fuck. While lying on the bed, Kylie sucks his huge uncut cock, taking it all in as Manuel stands over her. He pumps her full of meat in mish and CG and she rides him in anal CG before he bones her round ass in doggie and mish. Toward the end of the scene, she fingers her own love button at the moment he pulls out and spurts his load up her belly and into her open mouth. It’s just one of the intensely hot cum blasts in this one. Of course this is Nica Noelle, so Manuel revs up his fingers and jams them into Kylie’s pussy, bringing her to orgasm. While Kylie thinks things will be okay, it is obvious that for Manuel, this is a goodbye fuck.

At the hour of their choosing, Mr. Pete happens by Manuel’s house to hit on Kylie as requested. She is outside reading, though she is in a rather flimsy little outfit. His come-ons are strong and on target. He lays it on thick and gives her little time to react to his advances, smothering her with kisses and fondling her bouncy tits. They move indoors where she removes her clothes. Her pale tits, fat pussy lips and well-groomed full bush get top billing in this shot. No honor among thieves and you can add sluts to that list. She blows and jacks his cock without so much as a passing thought to her cheating ways. Pete cums inside her and continues to bang away at the freshly baked cream pie, helping Kylie reach her own climax.

But there’s more to this little tale than a simple seduction. Manuel has planned the whole thing to the last detail. While Pete and his wife are getting it on, he has not gone car shopping at all, instead paying a visit to Elexis, Pete’s wife. He tells her that Kylie and Pete are cheating with each other and that it was Kylie who paid Pete $20,000 out of his and Kylie’s joint bank account. Elexis is crushed. Manuel seduces the fragile Elexis and quickly gets her out of her red top and green panties. She does look a lot like a Christmas package, but this one opens herself. Manuel seals his mouth onto her pussy and flips her over to tongue her soft ass and pretty asshole. Soon after, he slips his fingers inside her waiting twat and greases the wheels for his cock. He pokes her in CG, Elexis’ tight pussy clamping down on his rod. In the 69 position, she can’t help tittering like a schoolgirl as she tries to cram his large cock down her throat. Meanwhile, his tongue is tickling her wet pussy. Later, her arched back and muted wails sound lovely when he ravages her from behind in doggie. But the climax here is what to watch. Elexis gets back into CG once more and rides Manuel until he pulls his cock out of her pussy and spurts several monumental streams of cum up her back and onto the crack of her ass. It’s a fairly tight shot and it’s a great change of pace from the typical facial shot.

The final scene is a bit of a shocker and a very unexpected ending. It takes place after a conversation Kylie has with her lawyer. We won’t spoil it here, but Manuel and Dana are fantastic together. You should watch if only for the anal fucking and yet another amazing Manuel cumshot onto Dana’s ass and hand while she is plunging two fingers into her own asshole.

The Deviant is great. Manuel Ferrara helps ramp up the action into high gear. It’s not that much of a surprise, as stars like Ferrara have the ability to do such things. However, among the three examples mentioned in the opening paragraph there were varying degrees of longevity after star appearances. "Diff’rent Strokes" went on to have seven more successful seasons after Meadowlark’s cameo. "The Road Warrior" came to an unceremonious end after "Beyond Thunderdome" (though a new film is apparently in pre-production). And "The Simpsons" are still going strong after 450 episodes. Whether or not big time star appearances will remain somewhat infrequent or become the norm for Nica’s films is yet to be determined. In limited appearances so far, they have served her well. Let’s hope Nica picks and chooses mega stars wisely for future films, because she has a darn good thing going right now. It would be a shame to see her spoil it and be forced to leave the scene so fast after having just arrived.

My Mother's Best Friend (2010)

Running Time:128 minutes

Released: 01/2010

Studio: Mile High Media  Sweet Sinner 

Director: Nica Noelle 

Categories: Feature, Mature, International,  Cougar  

Stars:Rayveness  Johnny Castle  Deauxma  Magdalene St. Michaels  Kiera King  Randy Spears  Mr. Pete

Description:

Johnny has the perfect life: A hot young girlfriend, loving parents, and a acceptance letter to an Ivy League law school. The only problem is, he secretly feels the life mapped out for him isn't the one he wants. Enter Rayveness: a beautiful older woman who makes Johnny feel understood and hot with desire. Will Johnny reveal that he wants to give up everything for the love of his Mother's Best Friend? Mr. Pete gives Johnny some advice about older women, and recalls his own scorching hot affair with busty Cougar Deauxma.

Screens:

 

Taboo - The Original Classic (Film from Golden Age of Porn)

 

1980, 70 min

Country:  US

Studio :  Standard Digital

Cast:  Kay Parker, Mike Ranger, Dorothy LeMay, Juliet Anderson, Lynn Shannon, Tawny Pearl

Director:  Kirdy Stevens 

The Original Classic!

Adult Video's All-Time Bestseller! Taboo is a landmark adult film. Originally filmed in 1979, this 1980 release broke through many barriers and has not only been a perennial best-seller in the adult video world...but made history on several fronts.

Taboo is the first adult film to have seriously focused on the subject of inbreeding and presents it with "serious passion and excitement" according to Adam Film World...

In 1983 Taboo also scored another first when it received an unprecedented nod from the prestigious Video Software Dealers Association (VSDA) special inaugural award for X-rated films. This recognition was considered by many as a turning point in the acceptance of adult entertainment by the mainstream video industry.

Finally. Due to its overwhelming popularity, it was the first adult motion picture with numerous sequels in release.

"Taboo is a landmark adult film. This 1980 adult motion picture broke through many barriers and has not only been a perennial best seller in the adult video world, but made history on several fronts. It is the first adult film in history to deal with the subject matter of incest in a provocative and sensuous way.

Kay Parker portrays a woman whose husband has left her for his young secretary, forcing her and their son to fend for themselves. In order to put her life back together, she takes a secretarial job. After her boss makes an uncomfortable pass at her and she falls into the divorcee's role of meaningless parties and blind dates, she becomes caught in a vortex of lust and passion for her young son Paul." 

Movie Review:

This is one of the all time classics of golden age smut, and one of my personal favorites. Kay Parker and Mike Ranger offer up their consistent talents throughout this tale of forbidden lust, and somehow manage to keep the story afloat at the same time. For those of us that do from time to time watch these classic 'films' without the solitary intention of pud-pulling, Taboo is all the more tantalizing in the tense build-up to that most depraved of all perversions...(did I mention this was a favorite?) Kay Parker is most definitely the quintessential 'older woman' of classic fuck-flicks. She acts her way through this one, building a sense of sympathy with those of us watchers who just want to see her get it good (or give it to her, for that matter). Left by her husband, this big-breasted mommy of teenage stud Mike Ranger struggles through some kind of social set, not quite feeling the orgy scene she gets invited to. The scene in question is just one of the reasons this film is so amazing. If you just need to rub one off, this will do it. If you're in it for the long haul, you just want to see poor Kay get some serious cock action all the more.

Meanwhile, back at the ranch, Mike Ranger is working his way through his girlfriend and her friend. For fans of the new creme pie stuff, Ranger spends his time blowing loads all over hot 70’s poontang and then shoving his cock right back into the action. The sex scenes in general are top notch. Kay is continually calling on a friend of hers who is also engaged in a casual threesome. Director Stevens is packing in as much fucking as he can, while still building toward a most excellent and filthy scene where horny Ranger and his desperate mother Parker cum together in total abandon. As if that weren't enough to fulfill the film's title and intention, Ranger convinces her to get it on again, even after much hemming and hawing about the moral implications. Weren't the 70's grand?!

At any rate, I must repeat that this utterly arousing piece of filth is one of the most entertaining of all time, and is sure to excite.

Screens:

The Texas Vibrator Massacre

Title: The Texas Vibrator Massacre

Category: Feature, Parody / Spoof, Horror

Director: Rob Rotten

Starring: Roxy Deville, Jamie Elle, Eric Swiss, Seth Dickens, Jack Vegas, Ruby Knox, Rob Rotten, Daisy Tanks

I really hoped for something that would not only be good porn, but actually look and feel like the Texas chainsaw massacre.boy did i get it. Gone was the crappy death metal soundtrack that ruined porn of the dead and in its place was horror homage galore. many scenes were ripped straight from the original tobe hooper film, Texas chainsaw part 2 and some from the remake, and obviously a lot that weren't in either LOL.this film was laugh you ass off hilarious, but still porn enough to give you a stiff one. i applaud rob rotten for making this one of few true horror/porn movies that works. i will definitely look for future parodies from this company.

I personally believe that first sex scene in the Car, third sex scene with the goth girl and his brother with the accused beauty is very hot and erotic.

Trailer:

Watch for the screens:

Delicious (1981)

Veronica Hart ... Divina
Desiree Cousteau ... Cathy the Maid
Candida Royalle ... Lady Caroline Dubier (as Candida Royale)
Nicole Scent ... Harriet
Jane Kelton ... Harriet's Mother
Robert Kerman ... Maurice (as R. Bolla)
Aaron Stuart ... Harold Dubier
Jerry Butler ... Henry (as Arthur West)
Michael Gaunt ... James


Ron Jeremy ... Groundskeeper
George Payne ... Harriet's Father

Harold (Stuart) is a typical older married man with a hot looking but almost frigid wife (Royalle). Her only type of sex is letting Harold play with her tits. So, oversexed Harold eventually succeeds, with the help of the butler Maurice (R. Bolla), in having sex with each maid. When his wife catches them, she fires the girl. Enter Divina (Hart), the new maid. She beautiful, sexy, friendly, caring and knows what everyone wants or needs, especially sexual needs, before they ask. She uses her strange powers to help the family, becoming a kind of sexual Mary Poppins. Only, Mary never helped a family the way Divina does.

This is a good couples movie. The sex is hot but not really raunchy. Enjoy it with someone special.

Pandora's Mirror (1981)

Directed by

Shaun Costello (as Warren Evans)

Writing credits

Shaun Costello (written by) (as Warren Evans)

Cast (in credits order)

Veronica Hart ... Pandora

Jamie Gillis ... Peter

Sandra Hillman ... Liz (also as Sandy Hillman)

Frederick Foster ... The Old Shop Keeper/Oliver McKardle/Sidney Fried/Eli Rasp/Edgar Ralston

George Payne ... Muscle Man #1

Jerry Butler ... Muscle Man #2

Tiffany Clark ... Lydia McKardle

Roy Stuart ... Horseman (also as Roy Stewart)

Rod Pierce ... First Dragoon

Marc Valentine ... Second Dragoon (also as Marc Anthony)

Marlene Willoughby ... Veronica Barrett

Lacey Smith ... Nancy Olson (also as Beth Sheridan)

Dave Ruby ... Lancelot Duval

Jack Houston ... Carlos

Bill McKean ... Chauffeur (also as Bill Kidder)

Celeste Bon ... Barbara Mellon (also as Esther Hass)

Kandi Barbour ... Maxine (as Candy Barbour)

Ron Hudd ... Bob Randal

Mowena March ... Roz

Hillary Summers ... Bonnie Lemay (as Heather Gordon)

Merle Michaels ... Alice Ralston

Annie Sprinkle ... The Queen of the Club (also as Miss Annie Sprinkle)

Diane May ... The Hat Check Girl

Carter Stevens ... Man in Tuxedo (as Steve Mitchell)

Ashley Moore ... Cowboy (as Ashly Moore)

Robin Sane ... The Dancer

        Ron Jeremy ... Masked Man

Gordon G. Duvall ... The Stage Manager (also as Sleepy La Beef) (as Gordon G. Duval)

Patrons of Hellfire Club ... Themselves

A woman goes into an antique shop to buy furniture, and notices a large mirror, which the owner refuses to sell, claiming that it's possessed. She persuades him to let her borrow it for a few days. When she gets home and looks at it, she discovers that it has the power to show her the sexual escapades of all the people throughout history who have looked into this mirror. 

Review:

The best of Shaun Costello's comparatively big budget period (HOT DREAMS being the competition), PANDORA'S MIRROR also stands as the finest TWILIGHT ZONE type adult film ever made, achieving a sustained eeriness right from its opening frames through deliberate pacing, exceptionally beautiful cinematography (credited to "Paolo Coeli") and Costello's by now exceedingly familiar record collection (Bernard Herrmann's VERTIGO theme, a couple of Mike Oldfield tunes in addition to newer selections like Pino Donaggio's music from De Palma's CARRIE and the traditional "Woman of Ireland" made popular by Stanley Kubrick's BARRY LYNDON) plundered for soundtrack purposes. 

To escape her nagging friend Liz (Sandra Hillman, also in Cecil Howard's FOXTROT), pretty and apparently well to do Pandora (Veronica Hart a/k/a Jane Hamilton, a genre legend who should need no further introduction) rushes into an antiques shop where she stumbles across a gorgeous standing mirror that immediately captures her interest. Though the shop owner (character actor Frederick Foster, who had a bit part in Costello's BEAUTY and whose slightly hammy style perfectly suits the material) tells her the looking glass is quite worthless and not even for sale, Pandora feels compelled to return on her own and gaze into the mirror as it magically reveals its history. A present by an elderly Civil War era nobleman (Foster plays small parts in each of the movie's erotic episodes) to his neglected young wife Lydia (Tiffany Clark, whose tan lines seem somewhat out of place for the period), with a frame carved from an oak struck by lightning (explaining its enchanted nature), the mirror inspires lustful intentions in all who look into it. For Clark that means a trio of drunk and horny soldiers (Roy Stuart, Rod Pierce and Marc Valentine) who give the wench the mauling she's been pining for. 

1930's Hollywood is up next, with pampered screen diva Veronica Barrett (camp queen Marlene Willoughby in a riotously funny turn) initiating the new make-up girl (Lacey Smith) with the aid of her most recent fiancé (underrated Dave Ruby, so memorable in Ron Sullivan's unjustly overlooked NASTY GIRLS), Cuban butler (Jack Houston) and chauffeur (Bill McKean, the weaselly little guy who was elbow deep into Tiffany Clark in Gerard Damiano's SATISFIERS OF ALPHA BLUE). Broadway in the '70s provides the setting for naive Grand Rapids, Michigan resident Bonnie Lemay's (Hillary Summers, billed as "Heather Gordon", from Sullivan's BUDDING OF BRIE) "I'll do anything" audition for predatory producer Barbara Mellon (Celeste Bon) who tears into her lesbian lover (Kandi Barbour, the girl with the strangest looking breasts ever in porn) while Bonnie gets to strut her stuff on stage with matinée idol Bob Randall (Ron Hudd). 

Finally, Foster takes his innocent wife Alice (ethereal Merle Michaels, looking the part), wearing white gloves and shoes, down to a very different kind of Wonderland, the notorious Hellfire Club. Michaels is fed to the wolves as an impromptu orgy gets underway, instigated by Queen Annie Sprinkle (who has never looked more stunning) and performed by the likes of Robin Sane (sporting a bizarre two-tone hairdo), Ron Jeremy, rotund filmmaker Carter Stevens and an appealing submissive credited as "Diane May", who played Bobby Astyr's dental assistant in Costello's AFTERNOON DELIGHTS. While Pandora's all caught up in the mirror's sexual history, her boyfriend Peter (Jamie Gillis) seeks solace with the conniving Liz for a scene that has her practically devouring him, one of the most astounding displays of pure animal lust this reviewer has ever witnessed. Pandora gets to fulfill her own fantasy with the bodybuilders (George Payne and Jerry Butler) she's been ogling on the rooftop across from her apartment while the looking glass does what its name implies, gazing back, waiting to pounce… 

Not without its rough spots, like occasionally weak acting (Clark is particularly wooden), this haunting adult film remains one of the best to come out of the genre's Golden Age. Costello has taken the utmost care with every aspect of production. Film scholars should pay close attention to his exquisitely composed imagery, especially in the Hollywood and Hellfire Club sequences, enhancing the movie's downbeat mood with lighting and camera placement. His formal training as a filmmaker finally paid off and this sophisticated masterpiece is the culmination of a fine career. As if he realized this, he would call it quits after just a few more flicks, ending on a distinctly minor note with 1983's tired HEAVEN'S TOUCH.